Translated from the original by Chris
Tsilikas
Orpheus – Christ
The human need for divine
communication, the need to feel the divine nature close to him/her and thank
it, existed right from the beginning of human existence and was expressed not
only through worship and prayer, but through art as well.
Therefore, in all eras and in
all religions man created works of art deserving admiration, such as the
enormous Ziggurat (a kind of pyramid) in ancient Mesopotamia, the Temple of Solomon
in Israel, the Parthenon in
ancient Greece, the Taj
Mahal in India
and so on so forth in an endless list of any kind of art.
Even when some kinds of art
are considered forbidden in his/her religious beliefs, man contrives means to
overcome this prohibition or creates new kinds of art to stay loyal to this
prohibition. For instance, when a Muslim artist wants to portray the prophet of
Mohammend – something forbidden for Islam – he thinks up the following
solution: he paints the whole body of prophet Mohammend but leaves the face
blank. Similarly the ban on divine illustration does not stand in the way of
his artistic expression and he creates the famous ‘arabesque’ which adorn his
mosques and temples.
In the same way, early
Christianity for fear of drifting into idolatry – since as we all know the
majority of its faithful derived from idolatry – avoids portraying God.
However, the faithful of that era had the dire need to be expressed through
Art, and that need was so big that it could not be supressed in any way. So,
the early Christian resorts to symbols through which he/she tries to express
the most profound thoughts of his/her faith. Besides, that’s the reason why
they neglect naturalness and three-dimensional reality when they draw these
symbols and acquire painting of slight moves in order to show off the concept
of the supernatural world. In addition, resorting to symbols has one extra
reason, the fact that with symbols and allegory early Christians try to cover
up the concepts of their faith which was persecuted by idolatry at the time.
These early-christian symbols
were usually found in three places: the individual graves of the faithful, the
christian sarcophagus – rectangular reliquary for dead people – or most
importantly in the well-known catacombs where the richness of their art was
displayed.
The agenda of the symbols
used are trilateral taken from the Hellenistic and the idololatric world, the
Old Testament and the New Testament.
TOPICS FROM THE
HELLENISTIC AND THE IDOLOLATRIC WORLD
The myth of love and soul. The soul is depicted as a butterfly and love
as a winged child. It symbolizes the passion of the union in the blessedness of
Paradise. Many times young people in love are
illustrated collecting grapes or flowers. The symbolization is the same.
The four seasons. This is one of the most popular topics. The four seasons are depicted as four women who carry the following on
their heads: Spring carries roses, Summer carries ears of corn, Autumn vines
and Winter carries olive branches. Their age varies according to the season
they represent. They symbolize life that stems from death.
The Dove.
This is one of the top-ranking symbols. Sometimes it carries an olive branch or a branch of bay laurel in its
beak to symbolize the peace of the soul in Heaven. When it stands on a vessel
or flies over a paradise-like place it represents the innocence of the souls of
those who died for Christ. Sometimes two or three doves are depicted together
to sit on an ancient pot and drink water which symbolizes the water of life.
The dove on an ancient pot
The peacock.
Another familiar issue. It symbolizes immortality of the soul.
The deer. It symbolizes the soul that desires Lord.
Idyllic places. They are illustrated with
plants and flowers and symbolize Paradise.
The phoenix. It symbolizes Paradise. When we have brances of the phoenix, they
represent victory of life over death. The phoenix is pre-eminently considered
to be the tree of life and many times the Apostles are depicted standing around
it in the form of sheep.
The vineyard and the vines. One of the most known topics. It symbolizes Christ and the Church according to
Christ’s words, “I’m the vineyard and you are the vines”.
The sheep. Sometimes Christ is the captain and some other times
the captain is the bishop, and it symbolizes the Church which is guided towards
the safe port of faith.
The anchor. A symbol of hope. Upside down it denotes the Lord’s Cross.
Pisces (The fish). Probably the most widely known Christian
symbol after the Cross. It symbolizes Christ, and the acronym of the word
(Ichtys) in Greek denotes the salvation that Christ offers. (The acronym in
Greek means: Jesus Christ The Son of God the Saviour). It also symbolized the
divine Service and the sense of Baptism. A lot of fish together symbolize the
faithful.
The symbol of Pisces (Icthys)
The Cross. According to Clemes of Alexandria this is the ‘Sunday
segment’ and is the most admirable symbol among Christians. It is pre-eminently
the symbol that denotes and defines Christianity. With the letter R on its top,
it’s the monogram of Christ. Since the 4th century the monogram of
Christ has been combined with the revealing letters A-Ω. We also find the cross in the catacombs
in a T-form in the middle of names. Eg. AGATPE.
Orpheus. The mythical hero Orpheus who tamed the wild animals
when he played his lyre symbolizes Christ who attracts with his teahing, and
tames the beasts of our passions.
Apart
from the illustrations mentioned above we also find heavenly dinners in the catacombs– in relation to national dinners
– in which we can see people eating and drinking. These heavenly dinners should
be taken symbolically and not literally because they represent the blessedness
of the people who have died who enjoy the bread and the pisces (Christ). Such
illustrations we can find in the catacombs of Priscilla, Callistus etc.
TOPICS FROM THE OLD TESTAMENT
A lot of the
scenes of the narration of the Old Testament and a lot of the people of it have
been used since the first christian Art. But pay attention. These scenes and
these historical people should not be taken historically but symbolically.
Adam and Eve’s fall. This is one of
the most ancient topics of Christian painting. It symbolizes sin and the
departure of man from his relation to God (Paradise).
Noah’s Arc. It has the meaning of the prayed soul.
Abraham’s sacrifice. It symbolizes the soul that has been saved through sacrifice.
A beardless Moses striking the rock to find water. This is a symbol of the liberating power the water has
during Baptism.
The Ascension of Prophet Elijah. It symbolises the course of the soul to Heaven. Later
on it will denote the Ascension of Christ.
The three Young men in the Fiery Furnace and Prophet
Daniel among the lions. They are both
symbols of the liberation of the soul.
Prophet Jonah. A popular topic. His life is narrated in three or four scenes. He
symbolizes the resurrection of the dead. Later on he will denote Christ’s
resurrection.
Prophet Jonah thrown into the sea
TOPICS FROM THE NEW TESTAMENT
The good Shepherd. It symbolizes Christ, “I am the good shepherd: the good shepherd giveth
his life for the sheep” (John, 10:11), who is looking for the lost (sinful)
sheep in order to save it. A favourite topic especially for Christian sculpture
in cemeteries. It also inspired the burial service where the chant “I’m the
lost sheep” is heard.
Christ as the “Good Shepherd”
Christ as a lamb. When one lamb is illustrated it symbolizes Christ but when two lambs are
illustrated they represent the great Apostles Peter and Paul. A lot of lambs
denote the faithful. The 12 sheep around the lamb stand for the 12 Apostles.
The Quinisext Ecumenical Synod of 692 forbids the illustration of Christ as a
lamb with its 82nd canon. After that, He is represented as human.
However, the mosaic of St Vitalius in Ravenna
which illustrates Christ as a lamb is marvellous.
The Baptism of Christ. It has the symbolic meaning of the liberating power the water has during
baprtism.
Christ healing the blind man. It stands for salvation through Jesus, who opened the
eyes of our souls.
Christ healing the paralytic. He is illustrated in two phases. As a sick man and
after his healing by Christ while he is getting up from his bed and leaving.
The whole scene represents deliverance from sin.
Christ healing the bleeding woman. It similarly symbolizes liberation from sin.
Christ feeding five thousand people. The five loaves symbolize bliss in Paradise.
Jesus and the Samaritan woman. The Samaritan
woman is illustrated either while carrying the vessel with water or above the
well taking out water. She represents eternal life through Jesus.
The resurrection of Lazarus. As we all know Lazarus’ resurrection symbolizes the
resurrection of the dead.
Christ and His Apostles. Christ is illustrated on the throne relaying the Gospel either to all
the Apostles or to the leading ones Peter and Paul. The scene symbolizes the
diffusion of His words through the Apostles.
Bibliography
Kalokiris Constandine: “Introduction to Christian and Byzantine
Archaeology (The Art of the East and of the West)
Writer Christ Pal
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